Moonwalking with Einstein. On why I blog, and take pictures

Just finished this excellent book called Moonwalking with Einstein, by Joshua Foer. Among its many pleasures was this passage, which feels close to the heart of what keeps me blogging, or taking photographs, for that matter:

Until relatively recently…people had only a few books – the Bible, an almanac, a devotional work or two – and they read them over and over again, usually aloud and in groups, so that a narrow range of traditional literature became deeply impressed on their consciousness.

But after the printing press appeared around 1440, things began gradually to change. In the first century after Gutenberg, it because possible for the first time, for people without great wealth to have a small library in their own homes...

Today, we read books “extensively”, without much in the way of sustained focus, and with rare exceptions, we read each book only once. We value quantity over quality of reading. We have no choice, if we want to keep up with the broader culture. Few of us make any serious effort to remember what we read…

We read and read and read, and forget and forget and forget. So why do we bother? Michael de Montaigne expressed the dilemma of extensive reading in the sixteenth century: “I leaf through books, I do not study them”, he wrote. “What I retain of them is something I no longer recognize as anyone else’s. It is only the material from which my judgment has profited, and the thoughts and ideas with which it has become imbued; the author, the place, the words, and other circumstances, I immediately forget.”

He goes on to explain how “to compensate a little for the treachery and weakness of my memory”, he adopted the habit of writing in the back of every book a short critical judgment, so as to have at least some general idea of that the tome was about and what he thought of it.

I know that works for me too. Synthesizing a thought on what a book, or movie, or trip was about, and writing it down, makes the experience itself richer, more memorable.

Joshua Foer

Gumption, not grit, is the key to success

This popular TED talk by ex-management-consultant Angela Lee Duckworth reports that the key to success, in academics and in life, is...ta dah...grit. Not talent, but fighting spirit and the resilience to battle on despite setbacks. This feels like a limp conclusion, because Ms Duckworth doesn't know where grit comes from.

Gumption might be a more useful word that grit in this context. It includes grit, and it also captures a little bit of where the grit comes from. Gumption includes enthusiasm, an amateur's passion, that fuels grit and therefore resilience. And gumption can be made.

I first met the word gumption during my first term in college, when I read Zen and the Art of Motorcycle Maintenance several times over (when I really should have been studying calculus). One of Pirsig's examples has stayed with me since: making your own motorcycle parts builds gumption. 

I'm still constantly on the lookout for that sort of gumption, for a quiet heartfelt enthusiasm that runs deeper than the "look at me, I've worked so hard, I'm so cool, I really deserve a raise/bonus/ promotion" rhythm that is so pervasive today. I like TED talks, but TED talks are actually a part of this "I'm so cool" culture.

BTW, I also found this picture of Pirsig and his son Chris on their legendary road trip across America...thanks guys.

Pirsig and his son Chris, motorbiking across America

The McKinsey Man plays tennis

Novak Djokovic in action

The New Yorker about Novak Djokovic:

"He was a McKinsey man, hitting his percentages. His approach was scientific. He brought to mind a diagram on the side of a workout machine, isolating the necessary muscles required for each stroke, and no more..."

So McKinsey Man is now a part of the English language. It means someone who puts in the precise amount of effort required to perform a specific task, and nothing more. Interesting. That is not quite how they describe it in books like The McKinsey Mind, though.

Should Mother Cricket have punished Michael Clarke for gallant/ stupid declaration?

Clarke and his team. Crushed? Or enough spirit left to learn?

I was in two minds yesterday, following the thrilling/ farcical denouement to the home Ashes. 

One part of me wanted to gods to reward Clarke for his gallant declaration. His spirit, his courage, his sense of adventure, kept the game alive right until the last ball. Most captains, at any level, would have settled for a draw. Surely that spirit deserves to be applauded, nurtured.

My less romantic side couldn't help thinking that Clarke's declaration wasn't gallant at all, it was merely stupid. Siddle, Harris, Faulkner and Lyon were never going to roll England over in one session of play. Even McGrath, Gillespie, Lee and Warne were highly unlikely to win this game. Clarke misjudged the situation. He was wildly over optimistic, and deserved to lose for his stupidity.

The more I think about it, the more convinced I am that my unromantic side is right. 

Clarke grew up in an invincible Aussie team. Somewhere deep inside he still thinks the Aussies are invincible. In reality, they're just an average team, with a losing habit. Clarke needs to teach his team to be hard to beat, before he can teach them to win. He has to do for Australia what Nasser Hussain once did for England. Until he realizes that that is his job, he is the wrong man to captain Australia. 

Clarke and umpire Dharmasena

As it turned out, Mother Cricket is more of a romantic than I am. She let Clarke off lightly with just a scare, with a bunch of boos rather than a crushing defeat. Looks like Mother Cricket wants to give Clarke a little more rope, to give him a chance to learn the art of Winning Ugly.

Pierre: the secret behind Novak Djokovic's mental toughness

Superstar Pierre Djokovic with his people

Novak Djokovic reveals the secret behind his mental toughness:

"When I lost to Nadal in that marathon match in Paris, I was feeling down, very, very disappointed in that moment. But when I came back to the house where we were staying, Pierre greeted me by jumping up at me, so pleased to see me. He put a smile back on my face."

...While playing at Wimbledon, Djokovic will steal precious moments walking with his girlfriend and Pierre in the park. ‘People stop to look at Pierre first,’ says Djokovic. ‘Then they see a beautiful woman with him and finally they see this guy who usually has a tennis racket in his hand. Pierre is the superstar here!’

Understanding Yudhishtira through his Shadow

Mahabharata: the game of dice

How could Yudhishtira have done what he did? How could noble King Dharmaputra have gambled away his kingdom, his brothers, his wife? Was it really Yudhishtira playing that fateful game of dice? Or, was it Yudhishtira’s Shadow?

The Shadow is a Jungian archetype. Having a Shadow is the inevitable consequence of having a Self. When the Self stands up in the light it naturally and inevitably casts a shadow, a distorted image of itself, that contains the less acknowledged, less developed, more vulnerable aspects of the personality.

I like to think Yudhishtira’s Shadow had taken over, uninvited, when the dice didn’t roll for him during that game. Yudhishtira still was a very young man then. He hadn’t yet found or tamed his Shadow. Yudhishtira finally harnessed his Shadow when he went into exile and became Kanka, teaching King Virata to play dice, thus finding the equilibrium needed to be a great king.

Shadow-puppet of King Yudhishtira

How did Rama, the other great king of Indian mythology, find and harness his Shadow? Did he find and harness his Shadow?

Every Self has a Shadow. But Rama’s Shadow is invisible, we don't know anything about it. Rama is flawless. He was born the perfect man, the maryada purushottam. He didn’t have to struggle to grow into the role, which, paradoxically, makes me less comfortable with Rama; like there is a Shadow out there that might emerge at a crucial moment and do something spectacularly daft.

Shadow wars, or the tragedy of Monty vs Monty

Monty Panesar celebrates with his England team mates

Whatever happened to Monty?

For years he was international cricket’s quietest, sweetest, most diffident player. He has lived through highs and lows: bowling England to glorious victories, being dropped by his county. The fans loved him, and mocked him. Through all those years, he had nothing but polite, respectful words for everybody, including the opposition. He responded to everything life threw his way with hard work, piety, discipline and “putting the ball in the right areas”.

And now? He is getting thrown out of nightclubs for misbehaving, and getting arrested for pissing on bouncers. Where did this other Monty come from?

My take is that the other Monty was always there, the other Monty is Monty's Shadow. 

The Shadow is a Jungian archetype. Having a Shadow is the inevitable consequence of having a Self. When the Self stands up in the light it naturally and inevitably casts a shadow, a distorted image of itself, that contains the less acknowledged, less developed, more vulnerable aspects of the personality.

Everybody has a Shadow. The real question is not whether Monty had a Shadow, but what Monty did with his Shadow. Like a lot of people-like-us, Monty suppressed his Shadow. He hid it away. He let his Shadow eat his disappointment, his shame, his humiliation, his anger, and came out to play with his game face on, radiating earnestness, belief, team-ship and optimism.

It worked, up to a point. Monty did play test cricket for England. But he remained a curiously mechanical, one-dimensional player. As Shane Warne acutely observed, “Monty hasn’t played thirty-three tests, he has played one test thirty-three times”. Monty was never creative. He was too distant from his Shadow.

Psychologists Barry Michels and Phil Stutz run a cult-practice in Hollywood, helping directors, screen-writers, agents and actors harness their Shadows. They see the Shadow as the key to creativity, in art, and in everything else. I heard about them from this New Yorker article:

As the liaison to the unconscious, Michels says, the Shadow is the source of all creativity and agility in life, business, and art, which he calls “flow.”

Barry Michels' Shadow

...Michels asks his patients to relate to the Shadow as something real, which can be coaxed from the cobwebbed lair of the unconscious into the physical world. The process, as he describes it, is spooky, a kind of daylight séance in which he plays the role of guide. 

In “The Tools,” Michels tells the story of “Jennifer,” a model who lobbies to get her child into a fifteen-thousand-dollar-a-year kindergarten but is too ashamed of her self-described “trailer trash” origins to talk to the other mothers, whom she views as “a superior race of Range-Rover-driving goddesses.” The secret to her crippling sense of inferiority lies with her Shadow, which she must accept and integrate into her public self. “I asked her to close her eyes,” Michels writes. He goes on:

“Go back to the parents’ meeting where you froze up; re-create all those shaky feelings you had.” She nodded. “Now, push the feelings out in front of you and give them a face and body. This figure is the embodiment of everything you feel insecure about.” I paused. “When you’re ready, tell me what you see.”

There was a long silence. Jennifer flinched suddenly, then blinked her eyes open. “Ugh,” she said grimacing. “I saw this 13 or 14 years old girl, overweight, unwashed. Her face was pasty and covered with zits . . . a complete loser.”

Jennifer had just seen her shadow.

In a similar sort of way, I think we’ve just seen Monty’s Shadow. Monty’s Shadow wants to make it with chicks at the nightclub. The Shadow wants to give it back to bullying bouncers. Monty doesn’t know how to, but his Shadow really wants to.

Stutz and Michels’ therapy is about discovering the Shadow, acknowledging it, giving it the respect you long for, and integrating the Shadow with the Self. From that viewpoint, it may not have been a bad thing for Monty’s Shadow to start finding expression. It might have helped him find his mojo, find creativity, re-kindle his career. After all, Monty isn’t much older now than Greame Swann was when he made his test debut (also a second coming).

Tragically, Monty’s Shadow seems to have taken control uninvited, at a moment when Monty’s Self was vulnerable, after having been dropped for the fourth test of the Ashes.

A night out with the lads would have been unremarkable for Swanny, Bressy, Broady or KP. It probably means the end of the road for Monty. I don’t think the cricket media have grasped this thought yet, they’re still taking the piss. But I’m finding it hard to imagine the England establishment forgiving Monty his trespasses. I wish he had had a more dignified farewell. I don’t think he will play another international.

But before Monty goes away, I’d like to take a moment to reflect on Monty’s golden moments: his first test wicket, Sachin Tendulkar in Nagpur 2005, the beauty he bowled Younis Khan with at Old Trafford in 2009, his match winning performance in Bombay in 2012. And this amazing one-handed diving catch, which I haven’t seen before, which is the most watched You tube video featuring Monty.