Showing posts with label tennis. Show all posts
Showing posts with label tennis. Show all posts

Saturday, 10 July 2021

Shapovalov vs. Djokovic :: Flamboyance vs. Economy of motion

Denis Shapolavov: the romantic's hero


Denis Shapovalov: airborne

I was cheering for Denis Shapovalov in the Wimbledon semi-finals last night. Shapovalov was the underdog. He is Rohan Bopanna’s doubles partner. He was also great to watch, hitting inside out lefty forehands into crazy angles and ripping backhand down-the-line winners while running full tilt.

Unfortunately, Shapovalov lost. He wasn’t outplayed. He hit more winners than the defending champion (40-32). He lost because he made twice as many unforced errors (36-15).

Why did Shapovalov make so many mistakes? It could have been nerves. But, watching the game, I got the feeling that Shapovalov’s higher error rate was something intrinsic to his style of play. The big backswing, flamboyant follow through, ball-contact while both feet are still in the air – great to watch, but error prone.

By contrast, Djokovic’s movements were never exaggerated. They were as economical as possible while still getting to the ball and generating that prodigious power. Roger Federer’s and Andy Murray’s styles are also similarly classical and therefore economical. They don’t just conserve energy. Minimizing the number of moving pieces reduces the error rate.

Should Shapavolov change his style?

Well, this style got him as far as the Wimbledon semis. It isn’t not working. 

Brian Lara, another stylish lefty, had an exaggerated back lift. He did all right.

Brian Lara's high back lift
(spot the ball!)

The right approach for Shapavolov is probably to reduce his error rate while retaining his natural style, rather than trying out any substantial technique reconstruction. Changing technique or playing style has high risk of unintended consquences.

Regardless, here’s a bet I’d be happy to lose: Dominic Thiem, Daniil Medvedev and Stephanos Tsitsipas will all win more career Grand Slam titles than Denis Shapovalov. They make fewer mistakes.

______________

Note: Are Infosys smart stats on tennis available to the public? I spent some time surfing the net looking for an analysis of unforced error rate by tennis player. Google didn’t manage to find anything.

Novak Djokovic: doing what it take to win


Sunday, 9 March 2014

Agnieszka Radwanska endorses Cheesecake Factory: the return of real marketing

Aga Radwanska @ Wimbledon

Aga Raswanska now endorses Cheesecake Factory. 

Refreshingly, she actually likes the Cheesecake Factory. She isn't just endorsing a random brand because they paid her lots of money.


She has been writing about visits to Cheesecake Factory restaurants on her blog for a couple of years now. "Can you imagine we tried almost every kind of cheesecake there during Indian Wells and Miami? Well except one — peanut butter... because I don't really like peanut butter," she wrote. "It's very close to the hotel, which is dangerous, because we could end up going there every night. We went yesterday. Maybe we'll try to cut down to every second night.". The Cheesecake Factory marketing people picked up on this, and an endorsement deal resulted. 

This feels like what celebrity endorsements ought to be about: not cynical money-making by a "media property", but a well known person sharing her genuine enthusiasm for a brand.  

Aga Radwanska @ The Cheesecake Factory

Sunday, 13 October 2013

Roger Federer's Next Career: Doubles #1

Federer and Wawrinka. Olympic Gold medalists in 2008

Earlier this week, Roger Federer lost to Gael Monfils in the third round of the Shanghai Open, setting off a flurry of twittering among the Roger-ists. Many think their hero is better off retiring now, still close to the top, rather than fading away slowly and inelegantly.

On the flip side of the argument, Roger clearly still wants to show up and play, despite the indignities of his declining win:loss ratio. As a fan, surely this is something to be happy about. Surely Roger gives more to the world with a racquet in his hand than as another talking head on TV (like Boris Becker), or as an underwear manufacturing entrepreneur (like Bjorn Borg).   

Leander Paes, Grand Slam champion at 40
In that context, Moonballs from Planet Earth would like to propose a path that allows Roger, and fans like us, have it both ways: quit singles, focus on doubles.

Roger, 32, can realistically expect to play another decade of top flight doubles. Roger's classical style lends itself well to doubles. Leander Paes just demonstrated the longevity of doubles players by winning the US Open at 40.

Roger’s presence also gives a much needed injection of glamour to the doubles game. Doubles is the mainstay of amateur tennis. It is every bit as watchable as singles (refer Davis Cup), but still gets so little media coverage because it lacks narratives, lacks personalities. A bit of Federer stardust will help set that right. 

Monday, 2 September 2013

The McKinsey Man plays tennis

Novak Djokovic in action

The New Yorker about Novak Djokovic:

"He was a McKinsey man, hitting his percentages. His approach was scientific. He brought to mind a diagram on the side of a workout machine, isolating the necessary muscles required for each stroke, and no more..."

So McKinsey Man is now a part of the English language. It means someone who puts in the precise amount of effort required to perform a specific task, and nothing more. Interesting. That is not quite how they describe it in books like The McKinsey Mind, though.



Thursday, 22 August 2013

Pierre: the secret behind Novak Djokovic's mental toughness

Superstar Pierre Djokovic with his people

Novak Djokovic reveals the secret behind his mental toughness:

"When I lost to Nadal in that marathon match in Paris, I was feeling down, very, very disappointed in that moment. But when I came back to the house where we were staying, Pierre greeted me by jumping up at me, so pleased to see me. He put a smile back on my face."

...While playing at Wimbledon, Djokovic will steal precious moments walking with his girlfriend and Pierre in the park. ‘People stop to look at Pierre first,’ says Djokovic. ‘Then they see a beautiful woman with him and finally they see this guy who usually has a tennis racket in his hand. Pierre is the superstar here!’

Tuesday, 15 January 2013

How do you solve a problem like Maria Sharapova?

Maria Sharapova and Grigor Dimitrov, in Milan

News from the Aussie Open is that Maria Sharapova has a new boyfriend, fellow tennis pro Gregor Dimitrov. Is this guy Maria's Mr Right?

The great Tamil lyricist Kannadasan might be on the pro-Dimitrov side of the argument. One of the greatest love songs he ever wrote, naan pesa nenaipadellam nee pesa vendum, goes: "naan kaanum ulagangal nee kaana vendum", meaning, "you should see the world's I see". This is a deep insight. Understanding each other's worlds is a critical (and under-celebrated) aspect of love. As an East European tennis pro, Grigor Dimitrov has a better chance of really getting Maria's world, than, say, a Tam Bram management consultant.

On the con side of the argument is yin-yang balance, a theme I've riffed on before. Maria is one tough cookie, she has plenty of yang in her soul. She needs a guy with dollops of yin-energy for them to be in harmony. Ex-boyfriend Andy Roddick clearly didn't fit the bill. Apparently, ex-fiancee Sasha Vujacic did't either.

Maria Sharapova and Roger Federer, in Sao Paulo
The problem is, professional sportsmen with yin-energy are rare. But they do exist. Roger Federer is a great example.

So will Grigor Dimitrov be Maria's Mr. Right? It depends, on whether Grigor can be more like Roger Federer than like Andy Roddick, and I'm not talking about winning grand slam titles.

Sunday, 11 November 2012

Hommage: Yannick Noah chante Bob Marley


I've been tripping on Hommage this morning. Its an album of Bob Marley songs, covered by Yannick Noah, a delicious double-dose of nostalgia.

Here's the album's trailer video:

 

Yannick Noah: stolen from Africa
















Also discovered that Yannick's son Joacim Noah plays pro basketball for the Chicago Bulls. Will he do cover versions of Ziggy Marley one day?

Yannick Noah in action










Joacim Noah in action

Saturday, 4 August 2012

Is Maria Sharapova Russian or American?

Maria Sharapova carries the Russian flag at the Olympics
Is Maria Sharapova American, because she lives in Florida, having learnt tennis at Nick Bolletteri's academy? Or is she Russian, because she feels Russian and is proud of being Russian?

This question has generated a bit of a storm in a tea cup. Maria Sharapova had the honour of carrying the Russian flag in the Olympics, and was obviously thrilled about it. However, Tennis magazine journalist Peter Bodo was very upset about this and went on this rant:

"I get tired of hearing Sharapova, who lives in Bradenton, Fla., go on about how thrilled she is to represent her native Russia... I find Sharapova's attitude ungracious, and mind-numbingly so...

Maria seem more like a deluded character out of a Tennessee Williams play than a formidable "brand" and money-making machine. That's just plain weird; too weird to be true. I guess the money, creature comforts, and other attractions of the U.S. are more appealing than a life spent drinking in the piney mountain air of the Urals, or bobbing around in a boat in the headwaters of the mighty Don—great as it is to represent Russia in the Olympics!"

This is not just bad-spirited, it is outright stupid. It took me less than ten seconds to find out that the distance from Maria's home town, Nyagan, to the source of the River Don, in Novomoskovsk, is 1760 miles or two and a half days of driving time. Did John McEnroe, America's proudest Davis Cupper, ever go bobbing around in a boat in the headwaters of the mighty Mississippi? It is easy to dismiss Peter Bodo as a shrivelled-up, narrow-minded American git, but personally, I find his narrow-mindedness even sadder than that: Bodo himself was born in Austria and has spent pretty much his entire life reporting on a genuinely global sport.

Bodo's bile predictably generated a ton of negative reaction. Since then, Tennis magazine have tried to row back, with their more thoughtful columnist Steve Tignor writing that "I can’t begrudge her a desire to feel a link to her family and its history". But, like another American called Mitt Romney found out last week, what has been said can't be unsaid.

I myself am proud to have serially failed the Tebbit test, like every other expat I've met in Britain, and like every Englishman or Scot I've known who has lived abroad. That puts me squarely and naturally on Maria's side of this question. So I'll be hoping even more fervently than usual that Maria beats Serena Williams to win the Olympic gold for Russia. It's a long shot - the bookies at offering 4:1 on a Maria win - but she's still got a shot.

Friday, 15 June 2012

Maria Sharapova finding her way back to the top is special



Nike, one of Maria Sharapova’s main sponsors, just brought out a new advert to celebrate their girl’s return to grand slam glory and the #1 ranking. It reads “Those Who Belong at the Top Never Forget Their Way Back”. Nike have got the story the precisely the wrong way around. Maria’s return to the top after years in the wilderness is so thrilling, so heartening, because so many who belong at the top lose their footing momentarily, and then never find their way back. The complete narrative arc - of young glory, years in the wilderness, and a triumphant return – is rare. Returning to the top is even harder than staying at the top. The natural course is for young glory to melt away into a career of middling mediocrity, or worse.

Perhaps I’m conditioned to expect gifted youngsters to go slip-slidin’ away into nothing because of the scars I carry as a long-suffering supporter of the Indian cricket team.
Laxman Sivaramakrishnan

To me, one of the greatest moments in cricket history happened in the Benson and Hedges Cup finals at the MCG in 1985, when Javed Miandad was stumped by Sadanand Vishwanath off Laxman Sivaramakrishnan, to top off a glorious Australian campaign for both young men. India beat Pakistan, Sunil Gavaskar held aloft the trophy, the team lapped the MCG in Ravi Shastri’s Audi...all of creation was shouting out that the Sadanand and Siva belonged at the top. Yet, after that golden start, both Sadanand and LS tragically lost their way, like Maninder Singh, Raman Lamba, Surinder Amarnath, Vinod Kambli, Salil Ankola, Abey Kuruvilla, Vivek Razdan, Sadagoppan Ramesh, Praveen Amre and Narendra Hirwani, potentially like Yuvraj Singh, Irfan Pathan, Ishant Sharma and Sreesanth. I’m painfully used to seeing talented youngsters, who had glorious starts to their careers, burn out or fade away.

Tracy Austin
Tennis too has had its share of shining young stars who don’t go on to achieve very much. Tracy Austin once looked like Chris Evert’s heir. Chris Evert won eighteen slams, Tracy won her second and last grand slam when she was nineteen. Andrea Jeager, another of Chris Evert's heirs, didn’t manage even one. Gabriela Sabatini won just one slam, disappointing for someone long considered Steffi Graf's peer. Dinara Safina and Jelena Jankovic rose to world #1 and fell back into the pack without winning a single slam, Ana Ivanovic managed one. Anastasia Myskina pipped Maria Sharapova to become the first Russian to win a slam when she won the French Open in 2004, a month before Maria beat Serena Williams to win Wimbledon. Anastasia Myskina hasn’t won a slam since, and hasn’t played professional tennis since 2007.

There are exceptions, of course. Zaheer Khan returned from the wilderness to spearhead India to the #1 test ranking and the World Cup. Jennifer Capriati showed real character in winning three slams after kicking her well-reported drug problems. Kim Clisters is justly one of tennis’ favourite players, for coming back from retirement, and motherhood, to win back-to-back US Opens. Regardless, the pattern of young stars quickly fading away is strong and persistent.

So, when Maria Sharapova won back to-back slams in 2008, had shoulder surgery, and vanished from view, I assumed she was following that established pattern. This was an especially easy assumption to make about Maria, since she had every opportunity to follow in the footsteps of her compatriot Anna Kournikova, and settle for the plush life of an A-list celebrity, earning many millions endorsing designer handbags and wrist watches. I darkly suspect Caroline Wozniacki is making peace with that kind of mediocrity: she just launched a range of designer undergarments, branded the Caroline Wozniacki Collection.

Fortunately for tennis, Maria didn’t settle for mediocrity. She looked within, and said yeh dil maange more. Fortunately for tennis, Maria Sharapova found the spunk, the guts, the gumption and the game to deliver on her fierce desire. Ave Maria!



Tuesday, 29 May 2012

Why Rafael Nadal is like a Black Swan

"Black Swan" is business-speak for a single observation that demolishes a previously plausible theory. 

The phrase comes from Nassim Taleb's excellent book - The Black Swan: The Impact of the Highly Improbable. Suppose one had a theory that "all swans are white". This would have been a really solid theory for a while, it would have been consistent with available evidence, robust to skeptical inquiry. The theory would have held until Australia was discovered, and black swans were observed, at which point the theory is toast. Personally, I find the metaphor a little awkward. But now that it has become a part of the language, it is quite helpful in talking about the limitations of statistics, and the problems that come from looking in the rear view mirror to get a view of the road ahead.

Taleb's book is about finance, but his concept applies to any aspect of life, including tennis. 

Peter Bodo's preview of the 2012 French Open in Tennis magazine talks about why Rafael Nadal is a black swan (though he doesn't use that phrase).  Until Rafa burst on the scene, the prevailing theory was that Bjorn Borg would be the last dominant French Open champion. After Bjorn Borg, who played with a wooden Donnay racquet, French Open champions had been a succession of one-slam-wonders.

"There were solid, well thought out, inter-related reasons for this. The men's field was getting deeper and deeper. At the same time, advances in racquet and string technology gave everyone a boost of power and a more lethal return game. Combine these comparably superior and fit athletes with more powerful weapons, and put them to work on a relatively slow court, and it was a bit like tennis roulette.

It seemed that Roland Garros had been transformed from the tournament that only the best and most consistent players could win into the one that anybody could win. And that was only heightened by the fact that so many of its more successful players were developed on clay in emerging tennis nations like Spain, Sweden, France, and Argentina. When you looked back upon the Borg years, you were apt to think, "We'll not see the likes of him again. . ."

And when Bruguera, who had even more radical technique than Borg, was unable to add to his Roland Garros haul of two, it seemed that the days when style-of-play and particularly vicious topspin might yield a huge advantage were definitely over. 

Well, Nadal has exposed all that as just so much fancy-pants theorizing..."

Good luck in Paris to the King of Clay.


Saturday, 28 April 2012

Showing up: the ingredient that makes the game worth playing, and watching


















“80% of success is just showing up” - Woody Allen.

Rafael Nadal steam-rolled Novak Djokovic 6-3 6-1 in the Monte Carlo Masters finals last weekend. Previously, Nadal had lost 7 tournament finals in row to Djokovic, including in some epic matches like the Aussie Open finals. Nadal didn’t play to a new game plan to win so easily in Monte Carlo. Apparently Djokovic was missing some emotional energy, his grandfather died the previous week, and that made all the difference. “I definitely don’t want to take anything away from Rafa’s win” said Djokovic, in his post-match interview. “He was a better player. But it’s a fact that I just didn’t have any emotional energy left in me.” Novak not showing up was totally understandable, my condolences to the Djokovic family.

Yet, despite his personal loss, Djokovic did make the finals of a Masters 1000 event. He beat world #7 Tomasz Berdych, #19 Alexander Dolgopolov and #55 Robin Haase to get there. He was good enough to win these matches without emotional energy, without showing up. But Nole he couldn’t beat Rafa without showing up.

I didn’t watch the game last weekend. I don’t regret missing it.

Tennis, or generally any sport, is not about skill, it is about spirit. It is worth watching when the players on court have showed up, when they have their mojo going, are engaged, fully checked-in, stretched, and are playing like it really matters. When players are clinically dismembering weaker opposition, or when they are passively resigned to their fate, no sport is worth watching, regardless of how skilled the players are. It’s why, during the first week at Wimbledon, qualifiers and lowly non-seeds battling it out on the side courts makes for far more compelling tennis than the stars going through the motions on Centre Court. That spirit, that mojo, is exactly what Nole seems to have been missing.

Surprisingly, the IPL is turning out to be quite watchable because the players are showing up, because the guys on the field are fully present in the contest. This season, I’ve watched stars like Lasith Malinga and Dale Steyn, journeyman pros like Owais Shah and James Franklin, golden oldies like Saurav Ganguly and rookies like Ajinkya Rahane, all show up and give it everything they’ve got. That commitment is what makes the game worth playing, and watching. Format doesn’t really matter as long as the players show up. Sure, the drama on offer in the IPL isn’t ever going to develop into something unforgettable, like, say, the 2005 Ashes. But it isn’t insipid either, like India in England circa 2011.

The IPL is more than a novelty now. It’s a regular part of the cricket scene. And it seems to be working - despite the kitsch, the lurid costumes, the cheerleaders, the “DLF maximums” and the “Citi moments of success” – because the players really are showing up.


Monday, 5 September 2011

Dhrishtadyumna and Serena Williams

Once upon a time, King Drupada ruled over the land of Panchala. Drupada was wise and just, his subjects were happy and loyal.

However, King Drupada was not as strong as he was wise. He was drawn into war against the Kauravas of Hastinapura, and was comprehensively defeated. He was captured on the battlefield, bound in chains, and presented as a prisoner to Dronacharya, the victorious Kaurava commander. Drona showed mercy on Drupada and spared his life, but annexed half of Panchala.

Humiliated, Drupada swore revenge. He prayed to the gods for a valorous son who would defeat the Kauravas and kill Dronacharya, and performed the putra kameshti yagna. Lo and behold, from the sacred flames rose a perfect warrior, fully armed and ready for battle: Dhrishtadyumna. This fire-born warrior fulfilled his destiny. Dhrishtadyumna was commander-in-chief of the victorious Pandava army through the great eighteen-day war at Kurukshetra; he slew Dronacharya on the fifteenth day of battle.

Yet, as the eons passed, Dhrishtadyumna remained an uncelebrated character. Children are traditionally named after other Pandava heroes like Arjuna, Bheemasena, Krishna, Abhimanyu and Satyaki, even Yudhishtra, but not after Dhrishtadyumna. The defeated Kaurava commanders Bheeshma, Drona and Radheya are all arguably more revered than Dhrishtadyumna, the victorious Pandava commander.

I think this is because Dhrishtadyumna was never more than a warrior, he never became a hero. He was born complete. He therefore never went through the hero's journey. His character was not forged in the crucible of events, like, say, Bheeshma's vow of celibacy, Duryodhana's embrace of Radheya as a true kshatriya, Bheemasena's fury after that fateful game of dice, or Arjuna's reluctance to wage war on his grandfather. It was never obvious that Dhrishtadyumna fully felt the shame of his father's defeat, or of his sister Draupadi's humiliation. His character and destiny were a given, preordained by his progenitors. Therefore he remained a bit of a cynical automaton, more a Terminator-like android than a real hero worthy of adulation.

Dhrishtadyumna's spiritual descendants are modern sports "professionals", who are brought up from birth to fulfil a single, narrow aim. These modern-day Dhrishtadyumnas include a vast number of Soviet era athletes, mass manufactured by the communist machine to win Olympic medals. Tennis once had a surfeit of these bloodless, colourless, insufferably boring androids, especially between the Borg-McEnroe era and the Federer-Nadal era. Anyone want to watch Thomas Muster vs. Michael Stich?

When Serena Williams first came on the scene, I didn't warm to her, I didn't especially want to see her play. She seemed to be just another android, another avatar of Dhrishtadyumna. Serena was conceived by her parents, literally, to win the sweet prize money now on offer in tennis. The only self, the only personality, young Serena seemed to have was her parent’s warped ambition.

Over the years, however, Serena changed. She distanced herself from her pushy dad (he no longer attends Venus vs. Serena matches holding a placard that reads "Welcome to the Williams' Show”). She became a shopping-addict, and went through therapy. She threatened to shove a tennis ball down a match official's throat. She learnt to look sweet and starry-eyed at press interviews. She kept improving her game. She glammed it up at the Oscars. Serena went through a freak injury - she stepped on broken glass in a German night club, and that developed into a life threatening pulmonary embolism, which stole a stole an entire year of Serena's prime. She went through a string of failed relationships with rap artists and sportsmen. She dished out boyfriend advice to Caroline Wozniacki: “I told her never look through the guy’s phone,” Serena said. “That is the worst thing you can do. I told her most relationships end.”

Basically, real life happened to Serena. Real life changed Serena, and in those changes authentic self was created. Serena’s humanity is apparent now in a way that Dhrishtadyumna’s never was, which is why watching Serena play today is so much more compelling than it ever was.

Thursday, 28 July 2011

Death to Rummaging

I am in the market for a new bag. Nothing special, just a simple duffel bag for everyday use. The one specific feature I want is an optic yellow inner lining.

This is the bag I use today.



It isn't bad. It is a Samsonite, the fabric is tough, the zipper works fine. But the inside of the bag can get as dark as the belly-of-a-whale, especially indoors. Finding my wallet, blackberry, goggles or even a dark coloured t-shirt involves a fair bit of rummaging, rather than just spotting.

This is the bag my children use.



It is clearly better than mine. The cheerful optic yellow inner lining makes it easy to spot stuff inside the bag. No rummaging required. I bought it years ago in the USA, without realizing its virtues. I want another bag like this.

However, this is surprisingly hard to find. I looked around the shop at the club. All the bags on display had black inners, even if they had florescent colours on the outside, sort of the wrong way around. I don't know how representative the shop at the club is, but clearly, brightly coloured inner linings for kit bags are not an industry standard.

The same shop sells tennis balls. The tennis balls are all optic yellow, which is mildly irritating, because the tennis balls are optic yellow for exactly the same reason the inside of the kit bags ought to be optic yellow, but are not.

Why has the better-product-wins logic played out so neatly with tennis balls, but not with kit bag linings? It might be because luggage is more about fashion than function, whereas tennis balls are entirely about function. Though, I don't quite buy that; generally, good function is fashionable. It could be because of the institutional unity of tennis. Once the grand slams decide yellow balls are better, the entire tennis world follows their lead. There is no similar grand slam-like authority for luggage, identifying and modelling the better products.

For whatever reason, it seems I can't buy the kit bag I want even on the internet. Shopping websites show luggage outsides, but don't specify the colour of the inner lining. Looks like I will be rummaging around for my wallet in the belly-of-a-whale for a while longer.

Saturday, 16 July 2011

Roger Federer: The Middle Class Champion



The dust has now settled on Wimbledon 2011. We have two exciting young champions to celebrate in Petra Kvitova and Novak Djokovic. Rafael Nadal is taking time off to let his fractured foot heal. Maggie May, Andy Murray's dog, is also recovering, from all the stress and media scrutiny that comes with being a celebrity. Yet, after the fun and the excitement have died down, after the Pimm's No. 1 and the strawberries and cream have been put away, the taste that lingers on from Wimbledon 2011 is the taste of a golden age coming to an end: the Age of Roger Federer.

Just how golden the Age of Roger Federer has been became clear to me, thanks, unexpectedly, to the British press.

As is traditional during the Wimbledon fortnight, the British moaned on about the absence of a British champion. The explanation they most commonly trotted out is that British tennis is a middle class game. For instance, here is Peter Preston, the former editor of the Guardian, writing about the Middle Class Malaise: "Why don't the British win Wimbledon anymore? Because we aren't hungry for success".

The term "middle class" merits some translation. In Britain, it does not describe people in the middle of the income distribution, a class now described as the "squeezed middle". It includes, and usually describes, affluent, well-educated, well-connected professionals: corporate executives, civil servants, lawyers, doctors, university professors. This haute bourgeois constitutes a middle class, rather than a privileged elite, because its members are notionally of lower rank than the hereditary landed aristocracy. These are the comfortably-off families who generally play and watch tennis for fun, and who generally fail to turn their children into Wimbledon champions. The claim that this class does not produce champions feels close to the bone, because this is the class I come from, and happily live within.

Prima facie, this reasoning looks like pure rubbish, nothing more than typical Pommy whingeing. But looking around at tennis, maybe the whingers have a point.

Consider, for instance, the Williams sisters' story. Their father, Richard Williams, son of a single mom from Shreveport, Louisiana, who now lives in the inner-city war zone of South Central Los Angeles, was idly watching tennis on TV when he was powerfully impressed by the prize money tennis players won. So he coaxed and cajoled his wife into having two more children, children #4 and #5, who would be raised from birth to play tennis and win that sweet prize money. Miraculously, this scheme worked, but it would never have occurred to even the most pushy tennis club members from suburban Long Island or Surrey.

Novak Djokovic, whose parents run a pizza restaurant in Belgrade, talks about growing up in a different kind of war-zone:

Djokovic reflected on how he had to negotiate some serious “ups and downs in life to become a champion”. The downs included a spell in spring 1999 when Djokovic, his parents and two brothers, Marko and Djordje, were living in a small apartment in Belgrade as Nato jets were targeting the Serbian capital.

He and Ana Ivanovic...along with Jelena Jankovic...would sometimes have to disappear into a bomb shelter when their practice in an empty swimming pool, which had been turned into a makeshift tennis court, was alarmingly interrupted.

Djokovic can remember the menacing drone of the low-flying bombers drowning out the renditions of “Happy Birthday to You” when he turned 12. Episodes like that build character. “All of us who went through that came out with their spirit stronger,” he once said. “Now we appreciate the value of life. We know how it feels to be living in 60 square metres being bombed.”


Andy Murray, the great British hope, comes from Dunblane, Scotland. Dunblane is about as far away from the manicured courts of SW19 as South Central LA is from the courts of the West Side Tennis Club in Forest Hills, New York, or Bhagalpur, Bihar, is from the Bombay Gymkhana. Dunblane is best remembered in Britain for a horrific massacre of schoolchildren by a crazy gunman in 1996. Andy's brother Jamie was in school when this massacre happened.

While Andy Murray does come from a tough place, he may be an even better example of another clear pattern: champions created by pushy tennis-parents. Andy's story is less about escaping Dunblane, and more about being Judy Murray's son.

Judy Murray, then Judy Erskine from Glasgow, once tried to make it as a tennis pro. She took buses to European tournaments because she couldn't afford the airfare, slept in tents, and shared cigarettes in the locker room with Mariana Simonescu, then Bjorn Borg's girlfriend. Her tennis career failed. She became a secretary. She got married. Her marriage broke up, bitterly. Andy is her redemption.

Martina Hingis was brought up by an ambitious single mom who named her daughter after the great Martina Navratilova. Jelena Dokic has a famously pushy tennis-dad. The American Bryan twins' parents are tennis coaches, who made sure their boys spent every waking hour on either tennis or music. Bernard Tomic's dad used to coach Goran Ivanisevic. Andre Agassi's dad, who boxed for Iran in the Olympics, fits the pattern well enough.

This pattern isn't entirely new, but it is strengthening. Jimmy Connor's mother Gloria was a tennis teacher, who once attracted a fair bit of comment for being so present in her adult son's life. Gloria Connors was once a remarkable exception. Today she would be routine. In general, players coming through into top tier tennis either come from tough backgrounds, or have laser-focused tennis parents, or both.

An excellent book called Why England Lose looked at this pattern in football. More than 50% of the English population describe themselves as middle-class. They love football more than any other sport, and routinely send their sons to football coaching. Yet England's national team typically doesn't include a single middle-class player. The team consists entirely of men whose fathers were manual labourers, or on benefits, or former football professionals. These guys don't spend their precious teenage years swotting for math and physics A levels, or practicing classical music, or attending family reunions. They just play football. Therefore, they clock in the 10,000 hours of practice needed to be really good at something. The middle-class kids never do.

In this context, the LTA's strategy to develop British tennis is to spend surpluses from Wimbledon on courts in blighted inner-cities, and hope for a British version of Serena Williams, or Gael Monfils, to come through. Commentators talk about how Amir Khan, a boxer from Bolton with Pakistani roots, has breathed new life into British boxing. As a strategy, this makes sense. But at some deeper level, it sticks in my throat.

I'm all for social mobility. But surely, that is a serious question for schools, policing and public policy. Tennis is a game. Tennis is not meant to create pathways for social mobility, or win the Battle of Waterloo, or prove the superiority of the Aryan race, or of the Communist system, or serve any other political agenda. It shouldn't be about fulfilling a parent's frustrated dream either; that is just bad parenting. Tennis shouldn't really be about anything more than the pleasure of playing with a bat and ball.

The amateur ideal of previous generations was an attempt, however flawed, at letting the game just be a game. That ideal is now gone. As recently as the 1970s, the future of American tennis was the Stanford University tennis team. Now, kids who are serious about tennis wouldn't waste their time at Stanford University. Tennis, and sport in general, suffers from what Arnold Toynbee called a schism in the soul. The spirit in which amateurs play tennis is now completely disconnected from the spirit in which top professionals play.

Until Roger Federer.

Federer's greatness isn't fully captured by his sixteen grand slam titles. His reign is a golden age because of the spirit with which he played to win those sixteen titles, a spirit which is primarily about his love for playing the game. Here is a an extract from a story about Federer in the New Yorker:

... beneath that unflappable exterior I could sense that he was enjoying himself enormously—a deep, visceral joy that vibrated like an electric current in certain shots. Some of the top tennis players have given the opposite impression: Pete Sampras’s hangdog look on the court always made you want to cheer him up, and Andre Agassi, in his 2009 memoir, tells us again and again how he secretly hated the game. Federer clearly loves to play, and this is no small part of the pleasure in watching him.

Roger Federer didn't need to escape from a ghetto or a war zone. Federer's parents both work for Ciba-Geigy, the pharmaceuticals company, near Basel, Switzerland. This is the sort of upbringing I, and most readers of this blog, can totally relate to. My father was a tennis-playing executive at a multinational corporation. So am I.

Federer didn't need to fulfil the ambitions of a tennis-parent. His parents played recreational tennis at the firm's club. "We’d spend weekends on the tennis court," Lynette (his mother) recalled, "and the kids"—Roger and his sister, Diana, who was two years older—"would join us... It was Roger’s decision, at twelve, to quit playing soccer and to enter the program at the Swiss National Tennis Center, in Ecublens, two and a half hours by train from home.

Roger Federer's balanced perspective, his view of tennis as just a part of life, is why it now feels like a golden age is ending. Novak Djokovic has taken tennis to an entirely new level. Andy Murray has sworn to catch up by "working two per cent three per cent harder". These guys already work very hard. The marginal cost of that extra "two per cent three per cent" is high.

With his sixteen titles already in the bag, with his two young daughters at home, I doubt that Federer will put in that extra two per cent three per cent. He could spend that time at home, attending, say, a teddy bear's tea party. I know I would. Despite that, I think Roger Federer will will himself on to one more grand slam title before he rides off into the sunset. His best chance is at Wimbledon next year. One final chance then for Wimbledon, and the tennis world, to enjoy its great middle-class champion.

Friday, 24 June 2011

Rosencrantz and Guildenstern at Wimbledon



Rosencrantz and Guildenstern are Dead is playing at the Haymarket Theatre this summer. Advertising posters for the play are all over London's tube network. So, this old favourite was on my mind as I made my way to Wimbledon earlier this week.

Rosencrantz and Guildenstern are Dead is a (brilliant) Tom Stoppard play, based on the same characters and events as William Shakespeare's Hamlet, but told with Rosencrantz and Guildenstern as the protagonists. These are Hamlet's childhood friends, roped in by the King and Queen to try and coax Hamlet out of his madness. Rosencrantz and Guildenstern only half understand the situation they've let themselves into, fail to change Hamlet, make some brilliant but immediately forgotten discoveries along the way, and are ultimately killed for their troubles. Stoppard makes these unfortunates his tragicomic heroes. Hamlet and OpheIia have bit roles in this play, walking in and out of Rosencrantz and Guildenstern's life-story, setting context.

I've always loved the way Rosencrantz and Guildenstern are Dead inverts figure and ground, forcing an expansion of perspective. That is also the reason I love being at Wimbledon during the first week.

During the first week at Wimbledon, one can watch the stars play on Centre Court. I got to see King Rafa stride on to Centre Court as defending champion. Now, he owns this stage. It was fun to watch doubting Prince Andy ask "To be or not to be, that is the question" of his not-quite-adoring home fans. A Miss Marple look alike who was sitting next to me prefers Novak Djokovic to Andy Murray, because Novak always applauds his opponent's shots.

However, the most distinctive and memorable Wimbledon experience is quite possibly watching matches on the outside courts. These are courts with no grandstands or TV cameras, where less famous names play. Fans generally sit court side, yards away from the players, like at the local tennis club. I can't think of any other world class event where fans get so close to the performers; in cricketing terms this is like watching the action from second slip.

Sitting so close to the action, it is easy to tune into the physicality of the game: ball speed, spin and bounce, the player's size and gait. Mood and emotion from the players - a grimace fleeting across a face, a pleading glance at a coach, the slope of a shoulder - communicates in a way that doesn't happen on TV or in the stadium courts. The court side perspective brings these matches alive, despite the unfamiliar names.

For instance, I cheered for a slender Chinese girl called Shuai Zhang who was taking on the muscular Svetlana Kuznetsova. Zhang, who has just stabilized a spot in the top 100, did brilliantly to take the first set before Kuznetsova overpowered her. Zhang's mother and coach were sitting right across the aisle from me. They appreciated the support. They'd exchange thumbs up signs with me whenever I cheered Zhang for threading the needle with a backhand down the line. This sort of interaction is so not going to happen with Andy Murray's mom up on Centre Court.

I watched Monica Niculescu playing a successful underarm drop serve, a shot I thought had retired with Michael Chang. I watched the world #163 Ruben Bemelmans limp off court, visibly exhausted after losing a five set marathon to world #34 Julien Benneteau. Watching court-side, it is a lot easier to respect how good a player the world #163 really is.

Perhaps I am sympathetic to non-superstars because I am primarily a cricket fan. Cricket lends itself especially well to showcasing the spunk and grit of the lesser gods. Balwinder Singh Sandhu always has a place in my cricketing pantheon for THAT delivery to Gordon Greenidge in the 1983 World Cup final. Similarly, Sameer Dighe also has a place in my pantheon for taking India to victory against Waugh's Aussies in that epoch-making Chennai test match in 2001, despite a rampaging Glenn McGrath. In tennis, players of the stature of Balwinder Singh Sandhu and Sameer Dighe don't play in the equivalent of World Cup finals, say in Wimbledon finals.

Watching Zhang, Niculescu and Bemelmans on the outside courts of Wimbledon is perhaps the closest tennis gets to being a game, not just of the superstars, but of ordinary people striving for greatness. The first week at Wimbledon is spacious enough, big-hearted enough, to accommodate not just sweet Prince Hamlet, but also Rosencrantz and Guildenstern.

Thursday, 31 March 2011

Sachin Tendulkar Winning Ugly @ the World Cup Semis



Sachin's 85 in the semi-finals against Pakistan yesterday has to be one of his worst knocks ever. He had four, maybe six lives. He couldn't pick Saeed Ajmal, he couldn't time the ball, he was not batting like Sachin. Yet, he stuck it out, ground out more runs than any other batsman in either team, and took India through to the finals in Bombay.

Sachin was winning ugly, in Brad Gilbert's immortal phrase. Sachin's companion in winning ugly was his captain MS Dhoni, who must be right up there, along with Simon Katich, as the least elegant batsman in world cricket. I love them both for being willing to win ugly.

Sure, I love watching Sachin blaze away majestically, like he did against South Africa in Nagpur. But I love watching India winning ugly even more.

Brad Gilbert's point is that most top sportsmen win when they are on song. Real champions are the ones who learn to win even when they are not, who can carry a mis-firing serve or forehand, and still scrap through to a win. Winning ugly does not mean sledging or behaving badly. Neither SRT or MSD does Aussie-style sledging. They just do whatever it takes to raise the likelihood of winning. They don't care if it doesn't look pretty.

My admiration for winning ugly has something to do with the world I grew up with.

I grew up when India's heroes were players like Gundappa Vishwanath, Erapalli Prasanna and Bishen Singh Bedi, who wowed the cricketing world with their magical silken artistry, but didn't win matches. I grew up believing, at some pre-cognitive level, that being Indian meant being gifted, graceful, gracious, and losing. Noble and honourable, but still losing. Like Vijay Amritraj and Ramesh Krishnan in tennis. It fitted in perfectly with Nehruvian socialism, the Hindu rate of GDP growth, our non-aligned policy, and Bollywood heroes who never got their girls.

Fortunately, that loser-India is now gone. A whole generation has now come of age - after Kapil Dev lifted the Prudential Cup at Lord's in 1983, after Ravi Shastri drove his Audi around the MCG in 1985 - to whom it is perfectly natural to be Indian and to win.

MS Dhoni was almost two years old in June 1983. Yuvraj Singh is six months younger than Dhoni. They wouldn't get why India winning ugly matters to me. But to me, and to many Indians of my generation, and my father's generation, the most precious Indian wins are the ones which are won ugly. Because winning ugly is the opposite of losing gracefully.

Wednesday, 23 March 2011

Tennis and the Emigrant Experience



I was down at the club last night. Tennis social. Dusted off my old racket - the same Prince Spectrum composite that I had back when I was in college - and gave my game a spin.

My game was filthy. I still play squash regularly, so I had no problem hitting the ball, but I had no control. I was spraying the ball all over the place. I resorted to tapping the ball back over the net to keep it in play, until I finally lost patience and started giving it a whack and hoping for the best. And, heck, whaddaya know? A few of those whacks actually landed in the court :). All in all, I had fun.

None of the other players at the social knew me. None of them were colleagues, or parents at my daughters' school. I wouldn't blame any of my doubles partners if they didn't remember my name today; I'd struggle to remember their names now. I was just a brown-skinned guy in a blue t-shirt, hitting yellow spheres across the net. I felt no shame, despite the filthy game. That is probably why I had fun.

The nice thing about being away from home is the anonymity, the absence of context, the freedom it brings. That sense of freedom shows in many ways, including the way I hit a tennis ball.

In Suzanne Vega's words, "I was in a timeless, placeless place, out of context, and beyond all consequences".

Yet, the worst thing about being away from home is also the anonymity. Hitting a tennis ball isn't intrinsically fun or not-fun. Tennis is worth my while because of context, because of the references to tennis running through the rest of my life.

I first played tennis at the Madras Cricket Club, my father's spiritual home. My father had been a very good player in his college days, and was still on the MCC tennis team. Marker Venkatesan - the tennis pro in western terms - would toss me a balls as a favour to my dad. Members who walked by easily recognized me as Chandru's son, as Raju's nephew, as Nari's nephew. They would stop to watch me play, throw in a word of encouragement, a well-intentioned tip...they wished me well. One of them, Ayya-mama, bought me a Tintin comic for every Merit Card I won at school. It was all very warm, and intensely personal.

One of my earliest memories is being woken up in the middle of the night by my excited dad, being bundled into a car and driven to my uncle Chander-mama's house. They were showing a recording of the Roscoe Tanner vs. Bjorn Borg Wimbledon final on TV. In my mind's eye, I can still see a blurry black and white image of this game in a crowded, darkened room. Otherwise, my entire clan gathered on our terrace to follow Wimbledon on BBC shortwave radio. By the time the great age of McEnroe, Borg, Chris Evert and Martina Navratilova rolled around, tennis already was in my blood-stream.

When I was a teen-ager, I was sometimes invited to play doubles with my dad's friends. These were very good players, they played seriously, they played to win. My dad's friends still wished me well. But now, with my young legs and sharp eyes, they also expected me to perform on court. I was eager to impress. But I also understood that the MCC ethos did not smile kindly upon double faults or foozled volleys. I especially didn't want to let myself down and be an embarrassment to my family, so wound up playing a cramped, self-conscious game. But there was never any doubt in my mind that the game was worth playing, and worth playing well.

My dad's friends aren't playing tennis at MCC more. But I still couldn't show up at those courts and play the filthy tennis I played yesterday. At a minimum, I'd need to put myself on a regimen that would get me back to being a good player. No anonymity there, and no freedom.

Yet, Janis Joplin's words, "freedom's just another word for nothing left to lose, nothing ain't worth nothing, but its free".

Of course, the ultimate zen state is not perfect freedom, but to be in a context full of meaning and still play with freedom; to be Sachin Tendulkar playing for India in a World Cup final, in Bombay, and still play with freedom to lead India to victory. That dream is still possible as this post goes to press. C'mon India.

Sunday, 14 November 2010

Rafael Nadal the Educator



The Rafael Nadal Foundation just opened a primary school in India, in Anantapur, Andhra Pradesh. I am especially delighted because Rafa’s name is now linked with education, because, to me, Rafa epitomizes what education ought to be about. Its not really about multiplying matrices or solving differential equations. It is about being educado.

This excellent New York Times article on Rafa describes what I mean:

The Nadal personality stories that circulate among tournament fans are all variations on a single theme: the young man is educado, as they say in Spanish, not so much educated in the formal sense (Nadal left conventional schooling after he turned pro at 15), but courteous, respectful, raised by a family with its priorities in order. Nadal may have the on-court demeanor of a hit man, as far as the party across the net is concerned, but you will never see this champion hurl his racket during a match...

“It’s about respect,” Toni (Nadal, Rafa’s uncle and coach) told me. “It’s really easy for these guys to start thinking the world revolves around them. I never could have tolerated it if Rafael had become a good player and a bad example of a human being.”

What I love about Rafa is that he is lit up not by divine inspiration, but by the fire in his belly. He is not a J Krishnamurthy-esque other-worldly idealist, contemplating the beauty of the morning sun lighting up a dewdrop on a blade of grass. He is not a Christ-like figure who will turn the other cheek. Rafa is not a saint, but a man; a very decent man.

Once upon a time, sport played a central role in education, because it helped produce people like Rafa. Sport makes it easy be educado, precisely because it is fierce, physical and competitive. Decency is not about sappy moralizing. When sport is about being educado, it is not just for elite athletes, it is for everybody. Playing with gumption, respecting the game, playing to win, never passively accepting defeat, its a part of being educado, at every level of play.

Once upon a time, Aussies exemplified these values. Don Bradman, Ken Rosewall, Richie Benaud, Rod Laver, Mark Taylor - all educado. Clive Lloyd's Windies were such great champions not just because they won, but because they were educado. Boys from PG Wodehouse's Wrykyn would know exactly what I am talking about, without needing explanations. Somewhere along the way, something important got lost. Punter Ponting and his punks were congratulated on their "ruthless professionalism" as long as they kept winning, but are despised by the cricketing world now that they have stopped winning. Tennis is exciting again not just because Rafa and Roger play so well, but because of the way they play, re-capturing a spirit which should never have been lost.

And so, will the good people of Anantapur, Andhra Pradesh, take to hitting a furry yellow ball around a geometrical grid? Will they imbibe the spirit of champions past and become educado? I couldn't blame them if they were more concerned about landing a job in an air-conditioned software office in Hyderabad. But, heck, hope springs eternal...maybe the good people of Anantapur will write better software because they are educado, like Rafa.